Koselleck 100
Javier Fernández-Sebastian – In the modern world, we are more than used to considering the horizon as the trope par excellence for the future. Used progressively since the nineteenth century by philosophers, historians, and theorists, and vulgarised by journalists and businessmen, it has almost ceased to be perceived as a metaphor.
Koselleck 100
Ethan Kleinberg – Consider the Komposita “KoselleckConceptGhost” (Koselleckbegriffgespenst). The agglutination is not stable, and it is unclear which term should lead the way. If it is Koselleck, or Koselleck’s ghost, that leads, then the injunction is to investigate the semantic value of the word “ghost” to determine whether there has been a change in its valence and significance over time.
Koselleck 100
Gennaro Imbriano – “Let us think about the plight of the Russians in Estonia or Latvia. Those countries are home to minorities that carry a great explosive power […]. That is, all the old issues are still there, out of which crises can flare up that could ultimately lead to armed conflicts. That is why I do not consider the hypothesis of a new war between states in Eastern Europe to be so far-fetched.”
Contributo in italiano Post in English
Koselleck 100
Margrit Pernau – Koselleck’s metaphor of the layers of sedimentation (Zeitschichten) was and continues to be one of his most productive ideas. Instead of assuming a neat division between the past and the present, this metaphor allows to explore ways in which the past retains its presence in the present. Like in the process of sedimentation – Koselleck here draws on geological knowledge – older layers of history never disappear, but get overlaid by newer deposits. Koselleck’s metaphor has repeatedly translated into visuals.
Moira Pérez – In recent years, various authors of theory and philosophy of history have suggested we are experiencing a “new historical condition”, which Zoltán Boldizsár Simon and Marek Tamm have characterized as driven by the “anthropocenic and technoscientific transformations of our lifeworlds”. The existence of such a condition has been widely debated, as have its challenges and ramifications in relation to long-standing conceptions of temporality and time scale, the human and the non-human, the natural and the artificial, among others. Many of these works are tinted by a feeling of uncertainty, of exploring and analysing something while we are not really sure what it is or what will emerge from it.
